Showing posts with label Bad Moon Rising. Show all posts
Showing posts with label Bad Moon Rising. Show all posts

Wednesday, 25 June 2014

Flash 500 Competition Deadlines

Entries close at midnight (UK time) 3oth June
 
With the entry deadlines fast approaching, you only have just over a week left to polish up those stories and poems. Don't miss out as the Flash Fiction and Humour Verse categories both close at the end of this month.

Novel Opening and Synopsis Category
 
This category is open for entries until the end of October.
 
The judges this year will be (once again) the senior editors at Crooked Cat Publishing, who are the publishers for my own (writing as Frances di Plino) D.I. Paolo Storey series of crime novels, Bad Moon Rising, Someday Never Comes, Call It Pretending and Looking for a Reason (due out in October).
 
Crooked Cat Publishing cover a wide range of genres, from chick lit to horror, which is why they are the ideal judges for the competition.
 
Full details of all three competition categories can be found on the Flash 500 Home Page.
 
Hints from the Judges

No.4 – The Ending
 
The conclusion of any competition submission is the perfect opportunity to create a lasting impression with the judge.
 
Surprise is always likely to be a winner, providing it is relevant to the theme of the work and not farfetched. Such an ending requires great care in the development section of the work; whilst the judges should not have seen it coming, they must, on reflection, admire how you led up to it.
 
If you choose to finish your entry with a conclusion drawn from what has gone before, be sure that it is stated in an original way and, unless for a particular purpose, avoids mere repetition.
 
Good luck with all your writing endeavours.
 
Kind regards, 
 
Lorraine





Critique Service for Writers
Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Monday, 21 October 2013

Flash 500 Competition News



Long lists 
The long lists are up for the third quarter 2013. You can find the titles of the flash fiction long list here and the titles of the humour verse long list here.

Competition for Novelists Closes for Entries in Ten Days
Don't miss out on the chance to win £500 and have your novel opening and synopsis looked at by industry insiders. Find out more here.

Competition Judges for the Fourth Quarter
We have been fortunate enough to attract the services of a top notch crime writer for the final quarter of the year. Sheila Bugler (remember the name, insiders say she is going to be a massive success) will be judging the flash fiction category. Barbara Scott-Emmett has agreed to judge the humour verse entries once again.

New Entries on Resource Page
Our page of useful sites for writers has been updated. There are many links listed which could be of benefit, regardless of whether you write prose or poetry. Don't forget to share this page with your writing friends: Writers' Resources

For all of you who have made the third quarter 2013 long lists, congratulations and good luck with the next stage of judging.

If you missed out this time, here’s hoping you make it through in one of the other quarters this year. Both categories are now open for entries. For more information on everything to do with both competitions, visit the websites: Flash 500 Flash Fiction and Flash 500 Humour Verse Competition.

On a Personal Note
If you have read and enjoyed Bad Moon Rising, please could you take a moment to vote for it in the People's Book Prize competition. Voting closes at the end of this month and I would love to see my debut novel make it through to the next round. To do so, it has to garner more votes than Frederick Forsyth's latest! I think I might need help. You can vote here.

Critique Service for Writers

Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Tuesday, 17 September 2013

The People’s Book Prize

I don't very often mention my other persona, Frances di Plino, on this blog, but when something amazing happens, I can't keep it to myself. Bad Moon Rising has been nominated for an award and I need your help.
 
The People’s Book Prize
Founded by Dame Beryl Bainbridge DBE, the People’s Book Prize is decided entirely on readers’ votes. I’m delighted to say that Bad Moon Rising has been nominated in the fiction category, but it’s up against some stiff competition, not least being the great Frederick Forsyth’s latest offering!
 
You can vote for Bad Moon Rising if you’ve read and enjoyed the novel. If you haven’t read it, now’s a good time to point out you can do so for the paltry sum of 77p/99c on Amazon Kindle. (All Crooked Cat Publishing's books are on sale this week, including the next in the series, Someday Never Comes.)

I hate begging for favours, but I think the only way Bad Moon Rising is going to make the final is if lots of you vote – so, here goes: please, please, please vote for my book by following the link below.
 
 
To give you a flavour of the novel, it has garnered 22 five-star, 6 four-star and 1 one-star reviews so far.
 
Here’s the latest:
“As an enthusiastic detective fan, I was not disappointed by this book. The reader is kept guessing all the way through as to the identity of the killer even though his motives are left in no doubt. What I found troubling was that I was taken into the mind of the serial killer and understood it, not a pleasant trip. The twist in the end was satisfying even if I did want to slap Paolo at times and ask him to wake up in his personal life. Characters were believable and not too overdrawn. I can't wait to read the next in this series.”
 
Critique Service for Writers

Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Tuesday, 29 January 2013

Let's NOT Start at the very Beginning



This is going to be a novel approach to talking about writing a novel (excuse the pun). I’m calling in my alter ego, Frances di Plino, to guest post over the next few weeks on the subject. The reason I’m not making the posts as Lorraine Mace is that I haven’t yet had a novel published under my own name. Frances, on the other hand, is not only a published author of a crime/thriller (Bad Moon Rising published last year by Crooked Cat Publishing), but she is also in the throes of finishing off the next in the Paolo Storey series, Someday Never Comes. All of which means that Frances, rather than Lorraine, is the person best placed to give tips and advice on the long, hard slog to your first published novel.

So, bye bye, Lorraine, for now, and hello to Frances.

Let’s not start at the very beginning (even though it’s usually a very good place to start, as Maria sang in The Sound of Music).

This week’s question is: have you started your novel in the right place? Some good advice, given to me more years ago than I care to recall, was to start your opening chapter as close to the action as you possibly can.

You want to get your readers instantly involved in the plot and in the lives of the characters. You need the readers to be invested emotionally and intellectually in what happens next. Open with dialogue, action, or both, but make sure you hook your readers from the first paragraph.

Don’t bog down the opening with background information. Any necessary back-story can wait until a later chapter to be revealed by the characters themselves – through their thoughts, words and deeds. Let’s face it, if your character is in a life or death situation, or about to suffer a traumatic event (love affair ends/parent dies/partner seriously ill/going bankrupt/uncovers deception/gets caught out doing something wrong), the last thing you want to do is take away from the impact of that by telling the reader how the character came to be there in the first place.

Did your protagonist have a troubled upbringing or toxic parents? Who cares? What’s important to the reader is how the character deals with the situation he or she is in right now.

Don’t describe characters in those opening paragraphs. It doesn’t matter what colour the heroine’s hair is if she’s hanging by her fingernails from a cliff. The man’s height and build is immaterial if he’s facing down the wrong end of gun. Showing your characters in action, and letting the reader see how others react to them, gives a much better image of them than any description can achieve.

Do you have a prologue? If yes, is it really necessary? I believe prologues should be used for only the following two reasons – if yours doesn’t satisfy one of them, then I don't think need it.

If you really, truly, hand on heart and hope to die, believe you simply have to provide the backstory or your novel will fail, you can do it in a prologue. BUT this shouldn’t be an information dump. The prologue should read like a short story and leave the reader hooked (a bit like chapter one – hmmm).

You can use a prologue to show a scene near the end of the story, and then the novel itself tells the reader how that moment came to pass. In other words, show the character at a moment of high drama (also a bit like chapter one – double hmmm).

The acid test as to whether or not you need a prologue (or you just jump straight into chapter one) is to ask yourself two questions:

If I used this as chapter one, would the story still work?
Am I writing a prologue simply to hook the reader?

If you answered yes to either question, you don’t need a prologue, you need to work harder on getting chapter one to work for you.

If you would like to know more about Frances di Plino, why not subscribe to the free newsletter? A free prize draw will be taking place to give away an e-book copy of Bad Moon Rising to one of the first 100 subscribers. 






Critique Service for Writers
Flash 500 Flash Fiction Competition
Flash 500 Humour Verse Competition


Thursday, 20 September 2012

Win a Writing Critique



I don’t usually share my Frances di Plino blog posts here, but as this one is aimed at writers it seems appropriate to do so.

The following post has just gone live on the Crime and Thriller Review site. Good luck to anyone who decides to enter.

~~~~~

Calling all writers – would you like to win a free critique of your work (fiction or non-fiction) worth £30? Yes? Then this is the competition for you to enter. NO ENTRY FEE OR PURCHASE NECESSARY. All you need to do to be in with a chance of having up to 3,000 words critiqued absolutely free of charge is answer one simple question – and I’ll even tell you where to find the answer!

To celebrate the paperback launch of Bad Moon Rising, published by Crooked Cat Publishing on Friday 12 October, my alter ego Lorraine Mace is offering to critique up to 3,000 words, something for which she would normally charge £30. Full details of what to expect can be found on her critique page.

To enter the competition you need only send an email to frances@lorrainemace.com stating the name and nickname of the pub in Bradchester which features in Bad Moon Rising. You don’t even have to buy the book, as you can find the answer by reading the opening chapters via the ‘Look Inside’ feature on any Amazon site.

Make sure you put BAD MOON RISING PAPERBACK COMPETITION in the subject line so that your email is logged correctly. Each email will be given a number as it arrives and on Friday 12 October the numbers will be put into a large bowl. My husband will be given the onerous task of picking a winning number from the bowl.

The winner will be announced on this website on paperback launch day – so don’t hang about. Get reading and send me an email with the answer. Don’t forget, you have to give the name of the pub and its nickname. If you only give one of them your entry will not count.

Good luck.



Critique Service for Writers
Flash 500 Flash Fiction Competition
Flash 500 Humour Verse Competition


Wednesday, 18 July 2012

Horrific? Terrific

My guest poster today is Keddy Flett, who brings us insights into the mind of a potential horror writer. Keddy, put that puppy down!


After two years of dunking my head in the thick viscous goo that is the introspective process of memoir-writing, I’ve decided to pat my face dry and face plant into a new genre. And I think I have a new calling. Thrillifying revengetastic horror.

Having just finished Frances di Plino’s Bad Moon Rising, waves of a dusty vision – one hiding away in the back of my mind – washed over me. The idea? A sick, twisted and macabre horror/thriller novel called Christmas Puppies.

I know, I know. Sounds innocent enough, but I plan on setting up a sick story. I plan on having a mentally deranged lunatic hack off the legs of babies with scissors. I plan on having a disgustingly disturbed killer gouge the cataract-covered eyes of little old ladies.

But why? Where did this idea come from? Why do I want to introduce a character who would commit such sadistic acts? Well, it all starts with a puppy. A fantastically fluffy fur ball: my dog Richie.

When I met Richie it was at the local pound on a chilled April morning. He weighed just over a kilo and he was wrapped in a blanket, shivering like mad. Big brown beady eyes shot out from a mess of white fur and his wet black dot of a nose completed his cuteness. Richie was handed to my girlfriend and it was love at first bite. You see, the precious package was an absolute head case, damaged goods at just four months.

“He’ll become more relaxed as time goes by,” the worker said. “This one was found wandering round in a national park. Who knows for how many days.”

“What do you mean?” my girlfriend asked.

“He was dumped in a park by his owner. It happens all the time. The puppies are given to people for Christmas, but once the novelty’s worn off they just dump them. Some are even tortured or killed.”

That news blew me away. It lit a fire in my breath. A fire that kaboomed in my belly. I wanted to kick their heads in – break their legs. I wanted to punch these torturers in the face until their faces looked like squashed plums.  

That’s why I’ve turned to fiction. I’ve invented a man in my head – a worker at a puppy rescue centre who tracks down these people and punishes them the way they’ve punished their pets. I want to write a story about an everyday man who finally snaps. About an average Joe who can take the mistreatment of poor helpless animals no more.

So what does he do? He gives them a taste of their own bad medicine. For example, if an old lady has drowned a puppy, he breaks her knees and leaves her in a bathtub full of ice cold water to saturate to death. And, if a teenage boy lights a puppy on fire, he forces him to swallow gasoline and flicks matches into his throat.

What I always found scariest about horror novels is a character that is human in his exterior, yet has no passion for human life, rather than being some super-powered extra terrestrial. And the masks. You’ve got to have a freaky mask. But what? A pillow case with one slit? A hessian sack? A ghost face? I’m thinking a paper bag with one slit for one eye.

I want to write a story that follows a handful of people that mistreat Christmas puppies, from cutting their ears off to letting them starve in a cage. And then, once the reader is truly disgusted and pumped full of hatred for these people, our killer will take action. He’ll make the readers salivate with his gory revenge. He’ll inject balance back into the universe.  That is, until he targets the wrong person: a woman as sweet as sugar. A woman who has accidentally broken her puppy’s leg. From there a cat and mouse game will ripple through the storyline, with an outcome that disgusts and delights. I’m just not sure which one it will be.  

And now more questions begin to plague me. What could thrill, shock and excite the reader? What could keep the reader on his/her toes?

 At the end of the day it’s all about turning a genre on its head. You see, there are so many rules to the thriller genre, yet Bad Moon Rising is one that finds an exception – and that’s what makes it shine. Personally, I’m at a loss right now. I guess I must be barking up the wrong tree. All I know is that drawing from personal experiences and everyday rage can help you create a wicked environment and an even wickeder psychopath – one that’s half evil, half you.

Author Bio
Keddy Flett is a twenty-eight year old travelogue writer who resides in Sydney, Australia with his girlfriend Poppy Lin and mutt Richie von Vicious. His delightfully rude stream-of-conscious adventure memoirs Swallow the Swell and Swallow the Sea are out now through Crooked Cat Publishing.


             

Critique Service for Writers
Flash 500 Flash Fiction Competition
Flash 500 Humour Verse Competition