Showing posts with label Sue Moorcroft. Show all posts
Showing posts with label Sue Moorcroft. Show all posts

Wednesday, 24 February 2016

Don't miss out! #amwriting

The short story competition, judged by Sue Moorcroft, closes on the last day of this month. So you only have a few days left to get your entries in.

Open-themed, we accept all genres, including those written by or for children. Adult material (sex and swearing) is also acceptable, providing the content fits the story and is not gratuitous.

Don't forget, we are looking for stories between 1,000 and 3,000 words, with strong characters, a well-crafted plot and realistic dialogue (where used).

Prizes: £500, £200 and £100

Entry fees: £7 for one, £12 for two, £16 for three, £20 for four


Optional critiques available.

 

More details can be found here: Short story category

For more information on our competition categories, visit the Flash 500 Homepage.




Critique Service for Writers
Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Friday, 15 January 2016

Flash 500 Long List #amwriting



Another Spam Email Warning
Once again I have been contacted by a few people regarding emails supposedly coming from the poetry side of Flash 500. I closed the account last year, so nothing should be going out from that address. Any emails you receive from poetry@flash500.com have NOT been sent by us and should be deleted unread. Whatever you do, please don't click on the links if you receive an email from poetry@flash500.com.

Flash Fiction Long List
The flash fiction long list for the final quarter 2015 is up on the site. You can read the titles here. The judge for the first quarter 2016 is Barbara Scott-Emmett.
 
Short Story Category
Our new competition, judged by Sue Moorcroft, closes on the last day of February 2016.

Open-themed, we accept all genres, including those written by or for children. Adult material (sex and swearing) is also acceptable, providing the content fits the story and is not gratuitous.

Don't forget, we are looking for stories between 1,000 and 3,000 words, with strong characters, a well-crafted plot and realistic dialogue (where used).

Prizes: £500, £200 and £100.
Entry fees: £7 for one, £12 for two, £16 for three, £20 for four
Optional critiques also available.

More details can be found here: Short story category

For more information on our competition categories, visit the Flash 500 Homepage.

Kind regards,

Lorraine







Critique Service for Writers
Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Wednesday, 11 March 2015

Exciting News



I have some exciting news to announce – from issue 163 (May) I will be taking over from Sue Moorcroft as head judge for the Writers’ Forum monthly short story competitions.

I have been providing short story critiques and acting as assistant judge to Sue since May 2010 and it has been a pleasure to work under her guidance. Now it’s time for me to step up and carry on her excellent competition round up column, providing writers with reasons why the top stories were picked and offering insights to other writers to help them reach the same level of success.

From issue 164 (June) I will also be taking over from Sue to write the Workshop Feature – an instructive column showing how to improve aspects of fiction writing.

As you can imagine, stepping into Sue Moorcroft’s shoes is no easy task, but I will do my very best to maintain her high level of professionalism.







Critique Service for Writers
Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Wednesday, 16 July 2014

Getting to know ... Sue Moorcroft #ww



What genre would you say your novels fall into, or do they defy classification?
They’re romantic fiction. Most readers on Amazon or Goodreads call them chick lit, although a bookseller would say that chick lit books are urban whereas most of mine are not. They contain witticisms but I doubt they’re funny enough to be called rom coms. They’re definitely romantic but I don’t shy away from difficult subjects.

What made you choose that genre?
I love it. It’s what I like to read. I used to write more in the family drama genre as my agent of the time saw that as the area with most potential. However, when I discovered my present publisher, Choc Lit, I found that they published exactly what I like to write most: romantic fiction with a hot hero and part of the book told from the hero’s point of view.

How long does it take you to write a book?
Around a year but I do a lot of other stuff. I teach, appraise manuscripts, run workshops, write columns, short stories and serials. If I didn’t do any of that I’d probably write two books a year.

What is your work schedule like when you're writing?
If I’m working at home, I tend to work with students in the mornings and write in the afternoons. I have a long day, from about 7.30am to 6.00pm, but I often take a long lunch to do a yoga class or a piano class. When I’m running workshops they can come at any time of the week, including weekends or evenings, or even run into an entire week for a residential course. When this happens, I write when I can.

Where do you get your ideas for your books?
Sometimes when I’m thinking about someone I knew in the past, sometimes because I hear of something interesting or funny I want to use, sometimes I just seem to daydream things. Maybe these are all dragged out of the cobwebby recesses of my brain in some way.

When did you write your first book and how old were you?
Not counting the Enid Blyton rip-offs of about five pages that I wrote and illustrated when I was 8, I think my first book was completed in about 1992, when I would have just turned 30. I don’t usually talk about my age. You’re not going to ask about my weight next, are you?

What do you like to do when you're not writing?
Read. It’s my big pleasure. I read when other people are watching TV. My next love (and favourite use for a TV) is watching Formula 1 and I’m officially an F1 bore. I also love to dance (zumba and Fitsteps), practice yoga, hang out with friends and family (preferably with a glass of cold white wine in my hand), and I’m learning the piano.

What was one of the most surprising things you learned in creating your books?
How hard it can be to create a cogent, tightly written plot. I feel like one of those guys who have plates spinning on sticks. It’s a big effort to keep them all spinning yet not have any stray plates intrude.

How many books have you written?
I’m going to say thirteen – but not all of those have been published. Two were found a suitable home in the bin, one was rewritten as a serial, one has been shelved forever, one was rewritten as a novella. However, I write serials, too, and they became large print books and then ebooks. It’s hard to know how to categorise them.

 
Which is your favourite and why?
I can’t have a favourite. It would be like a mother having a favourite child. But the book that gave me most satisfaction was Dream a Little Dream, because the hero has a rare neurological condition, narcolepsy, which causes uncontrolled sleep. Narcolepsy was really hard to research and to understand, then attribute to a character in an authoritative but deft way. But people with narcolepsy have read the book and given good feedback and I was asked to speak at the Narcolepsy UK conference last year.

As a child, what did you want to do when you grew up?
Once I was taught how to read and write I just wanted to do one or the other. Before that, I think I just wanted to own dogs and eat Easter eggs. I believe I flirted with the idea of being a vet but I couldn’t have known how bad I was going to turn out to be at science.

What are you working on now?
Having just finished the proofs for my September 2014 book, The Wedding Proposal, I’m working on The Twelve Dates of Christmas. It’s set in London and the heroine, Ava, doesn’t like Christmas. She’s got money worries and her ex is trying to blackmail her with revenge porn. Sam Jermyn is trying to give his mum, Wendy, and his aunt, Vanessa, a Christmas to remember as Wendy is ill and is waiting for the diagnosis that will tell her whether she’s likely to be around for any more Christmases. Wendy and Vanessa brought Sam up and he’s taken for granted that they have provided him with a great Christmas year after year. Now it’s his turn to do the same for them.

Sue Moorcroft writes romantic novels of dauntless heroines and irresistible heroes. Combining that success with her experience as a creative writing tutor she’s written a ‘how to’ book, Love Writing – How to Make Money From Writing Romantic and Erotic Fiction (Accent Press). Sue also writes short stories, serials, articles and courses and is the head judge for Writers’ Forum. She's a Katie Fforde Bursary Award winner and Love & Freedom won the Best Romantic Read Award 2011.

Twitter: @suemoorcroft
Facebook: sue.moorcroft.3

Published novels:
The Wedding Proposal
Is this Love?
Dream a Little Dream
Love & Freedom
Want to Know a Secret (published in hardback as Family Matters)
All That Mullarkey
Starting Over
Uphill all the Way

Novellas/serials
A Place to Call Home
Between Two Worlds
Darcie’s Dilemma
Where the Heart is
One Summer in Malta

Collection of short stories:
All About Love

Non-fiction:






Critique Service for Writers
Flash 500 Home Page: Flash Fiction, Humour Verse
and Novel Opening Chapter and Synopsis Competitions

Thursday, 16 June 2011

For the Love of it

If you've ever been inclined to pen a romance, then this post by Sue Moorcroft is essential reading.


For the Love of it

I think I write romantic fiction for many of the reasons I read it – I like the sensation of falling in love. And doing it on paper is much better for my marriage than doing it for real.

Also, romantic fiction is comforting. That’s why, during a recession, the sales of romantic fiction go up. If we feel bad, we want something that’ll make us feel good.

Do I have tips for writing saleable romantic fiction?

Yes - always be in love with your hero. If you don’t love him, how do you expect anyone else to? Your heroine needs to find him irresistible. Although many romantic novels are written chiefly or entirely from the heroine’s point of view, the hero is incredibly important. He might be damaged/naughty but he’ll generally have a broad streak of decency and, directly or indirectly, save the heroine from whatever hell you’re putting her through.

Because you are, right? Books about women living a happy and fulfilled life for whom falling in love is just the cherry on her sickly-sweet cake, tend to be low on interest/drama/emotion and all the things that make good romantic fiction compelling. If your heroine has to fight to find happiness, it will be all the sweeter. Your reader will feel exultant. Reader satisfaction is high on the list of things your romantic novel needs.

So your ending will either be happy-ever-after or hopeful. But don’t fall into the trap of thinking that because you ‘know the ending’ when you begin that what comes between isn’t important. In fact, forget that you know the ending at all. (You probably don’t, not really.) OK, heroine and hero will end up together on some level – but there are endless ways in which that can happen. And why. And when.

And there’s the little matter of getting them there. You need a plot that will get draw the reader along without hesitation, deviation or repetition. Readers want damned good storytelling to go with the emotional punch. Maybe you’d like to give your heroine a quest – and your hero gets in her way? Or throw her a catastrophe and make him part of it? Don’t be afraid to make the stakes high and the penalties severe. Kick off your plot by putting hero and heroine on other sides of a fence – a fence both of them cares about.

Here’s one to get you started: Cathryn adores her dog, Jones. Jones has eaten a sandwich belonging to diamond smugglers – and the sandwich was where the diamonds were hidden. Marcus, a detective, and has been on the trail of those diamonds with single-minded purpose for months. Will he get them? Or, his attention diverted by the diamond smugglers trying to ‘get’ Cathryn, will she slip away?

OK, over to you. Just write the book.

Sue Moorcroft writes romantic novels, short stories, articles and serials for magazines, as well as writing-related 'how to' such as LOVE WRITING – How to Make Money Writing Romantic or Erotic Fiction (Accent Press). Sue is a creative writing tutor, a past winner of the Katie Fforde Bursary Award, a long-serving committee member of the Romantic Novelists’ Association and the editor of LOVES ME, LOVES ME NOT (Mira Books), a short story anthology.


The Writer’s ABC Checklist

Tuesday, 2 November 2010

Flash 500 Winning Stories Now Online

The waiting is over and the results are in! To read the top three stories, visit the Winning Entries page of the Flash 500 website.

Winning stories picked by Sue Moorcroft

First place: Lord Stanton's Horse by Heikki Hietala
Second place: The Ghost of Christmas Past by Jayne Thickett
Third place: Fur by Janet Pate
Highly Commended: That's Life by Sheila Alcock

Sue Moorcroft's judge's report is also up on the Winning Entries page of the Flash 500 website.

Our new judge for the final quarter of this year is Iain Pattison, who also judges the Writers Bureau Short Story Competition. As you will see from his judge’s page, Iain is a much sought-after competition judge. An author, journalist and writer of fiction, he brings years of experience in the writing field to the task of judging competitions and we are thrilled he has agreed to judge ours.

Winning Story to be Published
In addition to appearing on the website, the winning story from the third quarter will also be published in a future issue of Words with JAM. To obtain a copy of this quality ezine you will need to subscribe on the website, or by using the link to the right of this post, but as it’s free, there is no reason not to subscribe immediately.

That’s about it for this post, except to say that I hope you enjoy reading the winning entries - and, of course, that you will enter this quarter’s competition.

Best wishes until the next post,

Lorraine

Wednesday, 20 October 2010

Useful blog post by Sue Moorcroft

This week I'm going to send you over to the blog of Sue Moorcroft, whose student asks the following question:

If you don’t want to write for weekly magazines and haven’t got the ‘legs’ to write a novel – what other markets are there?

Sue's comprehensive answer can be found here. Her blog is a mine of information of real use to writers, both beginner and experienced.

My own answers to questions I've received from students and writers will return next week.

Lorraine Mace is the co-author of The Writer's ABC Checklist

Thursday, 14 October 2010

Flash 500 Shortlist Announced

I have a somewhat longer than usual post this time. I'm announcing the shortlist for the third quarter of the Flash 500 Competition (and paying tribute to those authors who made the long list but didn’t get through to the final judging). I'm  also letting you know about the fabulous new judge for the final quarter of the year, as well as giving news on publication of the winning entry from the second quarter.

Shortlist
So, let’s get started! Our judge, Sue Moorcroft, will be supplying a judge’s report and giving us the results during the first week of November. As usual there will be cash prizes for first, second and third, with one highly commended author receiving a copy of The Writer’s ABC Checklist. Here is the shortlist (in alphabetical order) for the third quarter of the Flash 500 Competition. Good luck to all the authors.

A Bag for Life
A Knacker's Guide to Ireland
Beef Hash and Corn Bread
Colours
Dark Thoughts and Heavy Metal
Find the Lady
Fur
Ghost of Christmas Past
Grandfather
Home Fries
Leona's World
Lord Stanton's Horse
Not on the Agenda
On Reflection
Point and Shoot
Predator
Reflection
Sparrows under the Middle Cloud
That's Life
The Compliment
The House on Memory Lane
The Pink Bobble Hat
The Unknown Gladiators
The XY Factor
Things to Throw from a Bridge

Long List
The following twenty stories, also listed in alphabetical order, made the long list – congratulations to the authors concerned. The standard was exceptionally high and to have made this list was an achievement in itself. I hope you will enter your stories in other flash fiction competitions and wish you lots of luck with all your writing endeavours.

A Different Voice by Tracy Fells
Blurring at the Edges by Sallie Tams
Brief Romances by Rachel Pentz
Bull's eye by Mary Healy
Charlie's Angels by Pamela Howes
Dear BBC by Ross Gibson
Empty Promises by Louise Charles
Far From the Mythic Crowd by Oscar Windsor-Smith
Frozen by Jennifer Pulling
Grace by Adele Molson
Happy Ever After? by Vanessa Couchman
Hot Pocket by Bob Thurber
In a Hole by Warren Glover
In Loving Memory by Catherine Burrows
Marked by Vicky Barton
Once Upon a Time by Karla Sally Dearsley
Siamese Whispers by Anya Cates
The Atomic Man is Not Alone by Collin Minnaar
The Balloon and the Skateboard by Lucy Oliver
The Boys in the Wood by Ian Craine

Some Advice
Please, whatever you do, READ THE RULES of this or any other competition you decide to enter. Unfortunately we had a few disqualified entries because the authors didn’t follow the rules set out on the website.

Iain Pattison
Our new judge for the final quarter of this year is Iain Pattison. As you will see from his judge’s page, Iain is a much sought-after competition judge. An author, journalist and writer of fiction, he brings years of experience in the writing field to the task of judging competitions and we are thrilled he has agreed to judge ours.

Winning Story Published
The winning story from the second quarter has been published in the latest issue of Words with JAM. To obtain a copy of this quality ezine you will need to subscribe on the website, but as it’s free, there is no reason not to rush over and do so.

That’s about it, except to say that I hope you will enter this quarter’s competition.

Lorraine
Co-author of The Writers ABC Checklist

Sunday, 5 September 2010

Update on Flash 500 Competition

A warm hello to all. I thought I'd bring you up to date on this quarter's Flash 500 competition.

We have had a few problems with PayPal rejecting credit and debit cards this quarter, but fortunately this has now been resolved and the site is once again able to process both debit and credit card payments.

If you have experienced any difficulties paying for this quarter’s entries with a bank card via PayPal, please try again as the system is now, once again, up and running.

Don’t forget to drop by the site and read the wonderful winning stories from the second quarter’s competition. The standard was very high and Jane Wenham-Jones had a difficult task on her hands in selecting her final three cash prize winners, as well as one highly commended entry which was awarded a copy of The Writer’s ABC Checklist. The top three stories can be read onsite here and the winning stories from the first quarter can be read here.

Our judge for the third quarter (closing at the end of September, so don’t delay in getting those entries in) is Sue Moorcroft. Sue, as well as judging many other competitions, is the head judge for the monthly Writers’ Forum short story competition. You can find out more about Sue’s vast experience and judging pedigree here.

It’s time to polish up those stories and start submitting. The end of the month will be here before you know it.

Happy writing,

Lorraine