A minor warning - if you are easily offended don't read on.
Once upon a time I had a case of writer’s block that lasted
for about three years. Are you asleep yet? You should be, because nobody wants
to hear writers whinging on about writers not being able to write. It’s a
fallacy under which we writers labour – that our lives and work are fascinating
whilst yours are not, because you never start banging on about painter-and-decorator’s
block do you? Or “darling, I just looked at the washing up. I was scared by the
blank, empty sink and the full draining board, and I couldn’t do it; I swear I
tried but I didn’t know whether to start with the cutlery or the plates and now
I can’t face it any more, so would you now indulge me for five years or so while
I get drunk and start shagging the neighbours for the sake of my art? I swear
I’ll be able to wash up after that.”
It’s bollocks. We think we’re precious but we’re not. But,
while I’m on the subject, one way of surmounting writers block is to write a
book without knowing you’re doing it. This is what happened to me. First of all
I invented a persona to hide behind, then I put that persona on every morning
and lived inside it. This is the best way to write – you put your writing
uniform on like some kind of a method actor, then stay in character until you
don’t have to do it any more, which will happen when you realise you’ve reached
the end. It’s a confidence thing. So no more hitting the word-count button to
see if you’ve got a full-length novel yet, no more procrastination, no more
thousand words of filler to make yourself feel better. If you really want to
feel better, remember it’s the guy in the uniform that’s the control freak, not
you – and he’s the one that’s in charge of character, settings, opinions expressed,
all of it. You can totally absolve yourself of all responsibility, like a kid
throwing stones at a greenhouse. It’s great fun.
Professor Darren Rimmer, for me, was the big boy who did it
and ran away. The process came about via an online writing site on which
somebody invented a word one day, and asked for other writers to think up a
definition of its meaning. More than five hundred made-up words later, the
contributors (of which I was one out of about half a dozen) found themselves in
the possession of a two-hundred page book called Hand-Knitted Electricity,
which had evolved under the auspices of the character I’d invented, a bogus
professor of popular culture in a bogus northern university. To say that Professor
Darren Rimmer is a bit politically incorrect is like saying Samantha Fox might
have suffered from a slight case of nipple-slip before she caught God and
turned her back on solids. Professor Rimmer is a ghastly creation who laughs in
the face of all that’s decent and does raised-leg bum-guffs in the general
direction of just about everything. But the book he created, I like to think,
is funny. It’s funny in the same way the Viz Profanosaurus is funny, in the
same way Keith Lemon is funny. In laughing at everything else, Professor Rimmer
is inviting the reader to laugh at him. If you’re offended, you’ve got it
wrong, but don’t expect Rimmer, or indeed his creator, to care very much.
And for me, I’ve written a book, so I can now run down the
garden path humming a Cliff Richard tune, leap in the air and click my heels
together, pick a gardenia and put it in my buttonhole and skip gaily to work,
stopping only to pat babies and kiss puppies. It’s funny how empowering that
feeling is, almost as funny as the sudden realisation that you’ve used a word
like “empowering” and if you don’t look out you’ll be using words like “up-shift”,
“burgeon” and “enhance”, when you mean go faster, grow and improve. The man in
the uniform that I turned into for a few months has done me some good. He’s
living in my writing node now, sticking a cattle-prod into my brain every so
often and telling me not to talk like some kind of tosspot any more.
If you want to read Hand-Knitted Electricity, you can get it
on Amazon in electronic or paper formats. It’s quite cheap and fairly funny.
That’s me rattling my tin cup at you, in case you hadn’t noticed. Please feel
free to tell me to fuck off and get a proper job, but don’t be surprised if I
bite your ankle on the way out.
Bio:
Perry Iles is a grumpy old bastard who people do complicated little dances to avoid sitting next to at dinner parties. Barely house-trained, he has gravitated to Scotland, where he feels at home. He suffers from bouts of frantic scratching and the odd outbreak of genital warts, and looks forward to a time when we all die horribly.
Perry Iles is a grumpy old bastard who people do complicated little dances to avoid sitting next to at dinner parties. Barely house-trained, he has gravitated to Scotland, where he feels at home. He suffers from bouts of frantic scratching and the odd outbreak of genital warts, and looks forward to a time when we all die horribly.
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