Showing posts with label Joan Fallon. Show all posts
Showing posts with label Joan Fallon. Show all posts

Tuesday, 6 May 2014

Getting to know ... Joan Fallon



What genre would you say your novels fall into, or do they defy classification?
This is always a problem for me when I have finished a new book.  How do I classify it?  My novels do not fit easily into a prescribed classification - I like to consider them literary fiction, but this is such a vague term.  I even researched ‘literary fiction’ on the internet and it became clear that the meaning depends on the writer’s point of view as to what constitutes ‘literary’.  With some of my books it is clearer and I can pop them straight into the historical fiction category - although that too has restrictions.  What exactly is historical fiction?  My novel THE ONLY BLUE DOOR set in the 1940s is acceptable but THE HOUSE ON THE BEACH set in Spain during the Franco years is probably too recent.  The one thing that is consistent about my work is that they are books featuring strong, capable women. 

What made you choose that genre?
I have always been a bit of a champion for women’s rights, so like to write about women and how they cope with what life throws at them.  I studied history at college and later at university and have always been drawn to social history, so enjoy putting my female characters into a historical setting.

How long does it take you to write a book?
On average about six months. My latest novel THE SHINING CITY took a year to write, from research to final editing.  This was because I was writing about a period in Spanish history that I knew nothing about and had to do a tremendous amount of research.

What is your work schedule like when you're writing?
I try to start work at 10 am and work through to 2 pm five days a week.  Sometimes if things are going really well I will write for a couple of hours in the evening as well.

Where do you get your ideas for your books?
Ideas come from various places - a news item, something I’ve read that sparks off a train of thought that leads to a story.  Sometimes someone will tell me about something that has happened and I can see it as a new story.  I wrote SANTIAGO TALES because we had spent a number of holidays in Galicia and one year we were in Santiago de Compostela in Holy Year and saw all the pilgrims.

When did you write your first book and how old were you?
I didn’t start writing until after I had retired.  This was in 2007, after I had finished doing a Creative Writing Course with the Open University.

What do you like to do when you're not writing?
Well, I’m married and have a family that I like to spend time with.  I also have two dogs which need constant attention and I play golf.  On a less active side, I watch a lot of films and read all the time.

What was one of the most surprising things you learned in creating your books?
It was something that I learned from the Creative Writing Course - that writing is as much a craft as it is inspiration.  When you realise this you can tackle your writing in a much more practical way.

How many books have you written?
I have written one book of non-fiction and eight novels.  Three novels are still to be published.

Which is your favourite and why?
While I am writing a novel that is my favourite one but I suppose, in answer to your question, I would say SPANISH LAVENDER.  It is set in the Spanish Civil War, here in Málaga.  My father came over from Ireland to fight with the International Brigade and although he told me very little about what happened back then, I feel a connection to the events of that time.

As a child, what did you want to do when you grew up?
I wanted to be a journalist.

What are you working on now?
I am just publishing my latest book, THE SHINING CITY, a historical novel set in 10th century Spain, in Madinat al-Zahra, just outside Córdoba.  For once the action is evenly distributed between the sexes - Omar, a young and talented potter falls in love with Jawhara, a slave girl who becomes the favourite concubine of the Caliph.

Bio:
Joan Fallon was born in Scotland, but spent most of her formative life in the south of England.  After a brief spell working in industry, she became a teacher and later a management consultant specialising in Behavioural Studies. She moved to the south of Spain in 1997 and began writing full-time. Since living in Spain she has become very interested in the country and its culture and this is reflected in her books.


DAUGHTERS OF SPAIN
THE HOUSE ON THE BEACH
SANTIAGO TALES
LOVING HARRY
THE ONLY BLUE DOOR
SPANISH LAVENDER

Connect with Joan Fallon:













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Monday, 31 March 2014

The Writing Process



I was asked to take part in The Writing Process Blog Tour by Barbara Scott-Emmett, a talented novelist whose latest work, DELIRIUM: The Rimbaud Delusion, will be published through Triskele Books later this year.

The idea of the tour is that all the writers who take part answer the same four questions about their work and their writing process, and together they form a great electronic blogging chain in the ether! You can read Barbara’s blog (and find out more about her writing) here. I have asked Trish Nicholson, Nik Morton and Joan Fallon to grab the baton from me – read more about them at the end of this post.

What am I working on?
I’m currently splitting my time (and sanity) between two, no three, maybe four, major projects.

Let me explain: as Lorraine Mace, my debut novel for children, Vlad the Inhaler, is due for release this week. The publishers are very keen to see the next in the trilogy, so I am working flat out on getting that to them by the end of March.

I am also working on a new children’s series: sort of Randall and Hopkirk (deceased) meets Buffy (without the vampires). This will feature a young boy who gets saddled with a ghost who bullies him. Together they have to fight off all the dreadful supernatural entities I can think up and save the world at the same time.

As Frances di Plino, my D.I. Paolo Storey crime series seems to have found a strong fan base and the publishers have asked for the fourth Paolo book. Looking for a Reason will carry forward the lives of the main characters, but as with each of the first three books, the crime being investigated is completely different to anything in the earlier novels.


And then, returning to my Lorraine Mace persona (the real me) I have a literary novel that has been on the back burner for so long it’s a wonder it hasn’t shrivelled up and died. One day, I keep promising myself, one day I'll write The End on that book.

How does my work differ from others of its genre?
Wow, what a difficult question!

The crime series is different to many in the genre because it is character led, rather than plot driven. In most crime novels, the plot is the be all and end all of the writing. I like my characters to develop over a series, so that what happens in their private lives affects the way they interact with each other and also impacts on the crime solving aspects of each case.

With my children’s novels, I wanted to concentrate on issues that matter to children: bullying, being different, having to cope with the fallout from adult’s actions. At the same time, I wanted to create characters who readers will care about, but who are themselves different and so don’t ‘fit’ into mainstream lives. From the initial feedback I’ve received on Vlad, it seems I’ve achieved that.

Why do I write what I do?
Quick answer: because the damn voices in my head keep nagging me to tell their stories.

Longer answer: because each book reflects issues I care about and want to bring to the attention of my readers. Novels are meant to be entertaining, and I hope mine are, but that doesn’t mean they have to be light and fluffy.

In all my works of fiction I deal with the unpleasant issues so many of us have to face on a daily basis. I try to portray those issues in a way that will make people think about the lives of others, even if only for the time it takes to read the book.

How does my writing process work?
It starts with my husband writing a day by day programme for me each month. My day job consists of running my private critique business, working as a mentor to novelists, managing three international writing competitions, running writers’ workshops, my regular columns for magazines, being a short story judge and critique provider for Writers’ Forum and various other writer-related activities that seem to take up a great deal of time.

I dump all this information on my long-suffering husband and he then plans my month so that everything gets done when it should – and somehow rearranges the universe so that I have time to write my novels.

Because I have so many other activities, I have to be really disciplined when ‘creative writing’ appears on programme. I set myself a word target for those days and will not leave the computer until I’ve reached my goal.

I tend to work to a rough outline, so that I know before I even open the file exactly what needs to be covered in the chapters and scenes for the day.

Before I became so busy (in fact, before I was published) I used to write when the muse deigned to visit. I no longer have the luxury of waiting for her to arrive. I now have to reach out and grab the muse by the throat and make her sit next to me during the hours allocated to my novels. I keep her tethered to my office chair, just in case she tries to sneak off.

It seems to be working!

As promised at the start of this post, here are the three baton carriers for the next stage of The Writing Process Blog Tour.


Dr Trish Nicholson (@TrishaNicholson) began her thirty-year writing career as a columnist, feature writer and author. She writes short stories and narrative non-fiction, and is currently published by Collca (UK). Among her recent titles are: Inside Stories for Writes and Readers, a companion on creative writing, and Writing Your Nonfiction Book: the complete guide to becoming an author.





Nik served in the Royal Navy. He now lives in Spain. He has sold many short stories and edited several books and magazines. His book Write a Western in 30 Days has been a bestseller. This year sees publication of Wings of the Overlord, a fantasy quest jointly written with Gordon Faulkner, The Magnificent Mendozas, his sixth western for Robert Hale, Sudden Vengeance and Catalyst, both crime thrillers from Crooked Cat.




Joan Fallon was born in Scotland, but grew up in England. For many years she was a teacher and later a management consultant specialising in Behavioural Studies.  In 1998 she moved to Spain, where she began to write.  Her novels centre on a strong female character and explore the emotions and relationships of the protagonist.  Being a History graduate, Joan enjoys setting her novels in a historical context, researching either English or Spanish history.

Trish, Nik and Joan will answer the same four questions next week (7 April 2014). Do visit their blogs to discover more about the writing life and the process of creativity.

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